Since working with the Stan Kenton Orchestra.Have you ever encountered an educator like JK Simmons's band director character before?I've played under the baton of stern and demanding conductors, as well as the critical ears of some pretty tough bandleaders. Erskine recently participated in filming bonus features for the film's DVD release but his opinion of the film was not solicited until now.For nearly 40 years, Peter Erskine has been one of the worlds most admired and sought-after drummers. This varied experience behind the kit and in front of the classroom has made him the perfect candidate to discuss the new film "Whiplash," the Sundance stunner about a young drummer (Miles Teller) under the inescapable and abusive lure of his band director (J.K. His father was a translator and Orientalist scholar (the first to translate Buddhist texts into English) and his mother, n&233 e Barton, came of an Anglo-Irish landowning family in Glendalough which family owned, and still owns the Ch&226 teau Langoa-Barton winery in Bordeaux, France.For the last 10 years, Erskine has served as the director of drumset studies at USC's Thornton School of Music.
Musicians make music because they LOVE music. Being a jerk is, ultimately, self-defeating in music education: for one thing, the band will not respond well secondly, such bandleaders are anathema to the other educators who ultimately wind up acting as judges in competitive music festivals - such bands will never win (the judges will see to that).What impression of jazz studies do you think the general public will come away with from watching the film?I'm disappointed that any viewer of the film will not see the joy of music-making that's almost always a part of large-ensemble rehearsals and performances. A conductor or bandleader will only get good results if he or she shows as much love or enthusiasm as the discipline or toughness they dole out.
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He's a so-so drummer: his hands are a mess in terms of technique, holding the sticks, etc., and no true fan of Buddy Rich would ever set up his or her drums in the manner that Teller's character does in the film. The drummer(s) who did the pre-record did a very fine job. Jazz masters could be tough, but the movie gets that story all wrong.What did you think of Teller's performance as a drummer?It's a movie, and the actor did a good job. Papa Jo eventually tossed a cymbal towards Charlie Parker's young feet in a "gonging" motion to get him off the bandstand.
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Band Director.What is the ultimate goal of a college band director?To inspire his or her students to get the MOST out of music, by GIVING the most to music. I've never seen a band act like that, or "live" music sound so "drop the needle." Also: if someone wants to test my ability to play a tempo: give me 4 beats, not just two - YOU don't even know the tempo with that kind of a count-off, Mr. Jazz has too many free spirits for that kind of behavior to fly. Musicians sitting there all stony-faced while the bandleader or conductor raises his fist to stop the band over and over again.
I can't imagine our dean Rob Cutietta putting up with an ounce of the behavior portrayed in the film. That's what I try to do at the Thornton School of Music at USC, and I know that my colleague professors including Bob Mintzer, Alan Pasqua, Patrice Rushen and Chris Sampson all do the same. At the same time, developing any latent improviser's confidence and belief in their own solo voice, all the while increasing the musicians' vocabulary and knowledge of the language of the music.
Hank was a lovely man and he got all of his student bands to sound incredible.
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